27 analysis Mozart’s Last Piano Concerto. Allegro Con Spirito 2. A link would be great, if it could provide that much info. The 1st and 4th movements generally follow the same format: A-B-C-A-B (sometimes with coda/s inbetween). Nikolaus Harnoncourt/Royal Concertgebouw Orchestra, Christopher Hogwood/Academy of Ancient Music, Charles Mackerras/Scottish Chamber Orchestra, Daniel Barenboim/English Chamber Orchestra. 31 in D major, K. 300a, "Paris"English Sinfonia, conducted by Sir Charles Groves.I. All of them grandly, virtuosically, and occasionally stentorian-ly magnificent! 25 is considered to be Mozart’s first “tragic” symphony and was written in the Sturm und Drang style. 29 Mozart was just eighteen years old when he wrote his 29th Symphony, the work which is regarded by many as a turning point in his development as a composer. But the music came from somewhere else. You can contact me through the contact page on this site. I. Mozart was eager to comply with the norms of performance. Gratis verzending vanaf 20,- ; … Mozart’s writing here is stylish but restrained, without the exuberance and Sturm und Drang dramatics that had characterized the “Little G Minor” Symphony just six months before. Mozart’s writing in this symphonic concerto was inspired by his travels, first to Munich and Mannheim in 1777, then on to Paris in 1778, where he wrote the Symphony no. Mozart Piano Concerto No. The piece was written on the Mozart family's Grand Tour of Europe in London when they had to move to Chelsea during the summer of 1764 due to Mozart's father Leopold's illness (throat infection). 40 "a symphony of pain and lamentation." Jupiter is the Roman name for the Greek god Zeus- God of all Gods, so therefore, the music represents Jupiter and his power. The work comprises the usual four movements, but what is slightly unusual is that Mozart uses sonata form to structure the first, second and fourth movements. Get help on 【 Analysis of Mozart's Symphony No. An early analyst and critic of Mozart’s music. 31 ‘Paris’ Wolfgang Amadeus Mozart composed his Symphony No. The 22-year-old Wolfgang Amadeus Mozart is in the city with his mother. He had no great opinion of Frenchman. Allegro Ma Non Troppo Composed in 1788, it is one of only two symphonies he wrote in minor keys and reflects his interest in the artistic movement known as Sturm und Drang (Storm and Stress), … 31 In D Major, K.297 - "Paris"; Les petits riens, K.app.10; Symphony No. – I can't see any difference – they all begin together – just as they do elsewhere. Completed in Vienna on the 26th of June 1788, the E-flat major Symphony was one of the great 41 i C-dur K. 551, sammen med den umiddelbart forutgående symfonien, nr. 31 in D major, K. 297/300a, better known as the Paris Symphony, is one of the more famous symphonies by Wolfgang Amadeus Mozart.It may have been first of his symphonies to be published when Seiber released their edition in 1779. at the piano – then came the forte. According to the date inscribed on Mozart's manuscript of the Symphony No. Allegro Home / CD's / Mozart Symphony 31, 33 & 34 – Academy St. Martin in the Fields olv Neville Marriner (CD 1991) Mozart - Symphony No. The Mozarts knew the Haffners through Sigmund Haffner’s father, who, as Salzburg’s mayor, had helped them out on their early tours through Europe. Allegro assaiII. What the devil! A symphony is quite easy to analyse. It's a chance for the young composer to make his mark as a newly mature musician with a public to whom he last performed as an infant prodigy on his family's lengthy tour of Europe's courts, when he and his sister were paraded in front of Europe's aristocrats. Work Analysis Being an admirer of the music of Wolfgang Amadeus Mozart, I chose to analyze Mozart's Symphony No. Mozart: Piano Sonata No.9 in D major, K.311 Analysis. Otto Jahn called the Symphony No. The Allegro moderato is, indeed, moderate—the balanced melody of the first theme is backed by clear, exposed part writing rather than the energetic rhythms of other galant accompaniments. The very opening is almost a parody of that coup d'archet, a unison, forte D in the first two bars that releases its tension in an orchestral firework of an excitably ascending scale in semiquavers in the third bar, and the whole movement is magnificently, swaggeringly confident. Andante Con Espressione 3. 33 in B flat major, K. 319, the works was completed on July 9, 1779, in Salzburg. 31 on his tour to Paris in 1778 – hence the nickname. Mozart would hear a complete piece in his head before he would write it down. 40 in G Minor. PROGRAM NOTES Wolfgang Mozart Born January 27, 1756, Salzburg, Austria Died December 5, 1791, Vienna, Austria Symphony No. Symphony No. Beethoven Symphony No. 35 in D Major, K. 385 (Haffner) Mozart originally composed this work as a serenade in July and August of 1782; he revised it the following year, adding Work Analysis. 40 in G Minor KV 550 (First Movement) allegro molto.Dit was de langste titel die ooit in de Nederlandse Top 40 heeft gestaan. It’s a joke. Mozart adopts a French style of orchestral music in this symphony, written in 1778. - and which made him unsure whether even to turn up for the concert) the Allegro impressed the public with more than its idiot- and crowd-pleasing opening. Symphony No. The coup d’archet at the beginning of the Sinfonia recalls the symphonic fashion of Paris, with sudden fortissimo chords for the whole orchestra, a gesture that could be traced back to Lully. Mozart - Symphony No. 'I hope that even these idiots will find something in it to like', wrote the young composer of his Parisian audience. 36 In C Major, K.425 - "Linz" / Tchaikovsky: Capriccio italien, Op.45; Slavonic March, Op.31 van Symphonieorchester des Bayerischen Rundfunks' MP3 download online 7digital Nederland - Ruim 25 miljoen tracks van hoge kwaliteit in onze winkel – I can’t see any difference – they all begin together – just as they do elsewhere. The last movement could on its own have… The awe-inspiring counterpoint in Mozart's final symphony, explained in one video 8 August 2016, 11:59 | Updated: 8 August 2016, 12:12 This very clear musical analysis of the finale from Mozart's Jupiter symphony reveals every ounce of the great composer's contrapuntal genius. Kun de åtte første taktene av korstemmen fra Lacrimosa er bevart fra Mozart, disse og resten av satsen ble instrumentert og fullført av Mozarts elev Franz Xaver Süßmayr , med et lite bidrag av Joseph von Eybler . 41 in C major (‘Jupiter’) Instrumentation Strings, flute, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani Movements I: Allegro vivace (C) II: Andante cantabile (F) III: Menuetto (C) IV: Molto Allegro (C) Overview Mozart’s last, longest and most famous symphony. ” Another critic said it was “nothing but joy and animation” ( Kramer 480 ) . 31 (‘Paris’) in D major. Amazingly, in spite of all of Mozart’s efforts to “play to the crowd,” which included writing an alternate, now rarely heard Andante in 3/4 time, the most sublime music emerges. But I knew when I wrote it what sort of an effect it would make, and so I introduced it again at the end, with the result that it was encored. The string players are pushed to the fore and the wind section is larger than usual – he even uses clarinets. What the devil! 38) symphonies. I benefited a lot from your articles …you are prodigious and also very knowledgeable . All Rights Reserved. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. No-one's sure which is the first and which the second, but it seems likely the more elaborate movement in 6/8 is the original, and it's this that's usually played: you can listen to the alternate version, in 3/4 time, here. Throughout this symphony there are interesting sudden shifts between major and minor-moments which hint at a sense of melancholy lurking under the surface (for example listen to 10:12 in the second movement). 35 is called the ‘Haffner Symphony’ after the Haffner family of Salzburg, who apparently commissioned it to commemorate Sigmund Haffner’s ennoblement. Completed in Vienna on the 26th of June 1788, the E-flat major Symphony was one of the great by Mozart) Symphony No.38 in D major, K.504 'Prague' He played through his new symphony in private to two friends before the premiere, and wrote to his father: "They both liked it very much. 39, written only a few weeks before Mozart's, also has a fugato in the finale, the theme of which begins with two whole notes. 35 "Haffner". Otto Jahn called the Symphony No. I chose to analyse Mozart’s Symphony No. 40 in G Minor, K. 550 is a sheet of music that composed by Wolfgang Amadeus Mozart, and there’s two versions that was separated composed by 1788 and 1780. 11. The public premiere took place at the Concert Spirituel at Tuileries Palace, one of the earliest public concert venues. Symphony No. But whether other people will like it I do not know … I can vouch for the few intelligent French people who may be there; as for the stupid ones – I see no great harm if they don’t like it. I chose to analyse Mozart’s Symphony No. 39 in E-flat Major (K. 543) illuminates the composer’s voice during the peak of Viennese Classicism. 40 in G Minor, K. 550, symphony by Wolfgang Amadeus Mozart. It was standard for eighteenth century audiences to applaud in the middle of movements if they found the music exciting: In the middle of the opening Allegro there was a passage that I knew people would like; the whole audience was carried away by it, and there was tremendous applause. Andante Con Espressione 3. Den går gjerne under betegnelsen «Jupiter-symfonien». There were just “too many notes.” As one review observed. 1. This is one of the two Minor Symphony that was written by Mozart in his whole life. 1 in E flat majorinformation page. No one is sure which passage Mozart purposely repeated in the first movement, but it could be the contrapuntal music first heard at 2:05. 31 on his tour to Paris in 1778 – hence the nickname. Calculated to please, Mozart's brilliantly wrought and supremely confident symphony is still delighting audiences nearly 250 years later. Mozart composes a fantastic fugato in the central section of the movement, music that must have tested the togetherness of the Parisian orchestra, and which would have gone over the heads of the "idiots" in his French audience. Symphony No.31 in D major, K.297/300a (Mozart, Wolfgang Amadeus) Incipit see below I. Movements/Sections Mov'ts/Sec's: 3 movements Composition Year 1778 Genre Categories: Mozart’s Symphony No. I. Mozart’s letters to his father suggest his simultaneous contempt for the French and his determination to craft a symphony that would be popular with the audience. But whether other people will like it I do not know … I can vouch for the few intelligent French people who may be there; as for the stupid ones – I see no great harm if they don't like it. Wolfgang Amadeus Mozart skrev sin symfoni nr. 27 in B flat major, KV 595) makes a similar, if more subtle departure. 41 1st Movement 】 on Graduateway Huge assortment of FREE essays & assignments The best writers! It was the second symphony Mozart composed after returning to Salzburg from his lengthy, fateful trip to Mannheim and Paris.. Symphony No. With my deep esteem and best wishes ... Mozart’s last piano concerto (No. Mozart’s Parisian job search was ultimately unsuccessful. A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. 31) and Prague (No. I satsene tre til syv har han skrevet vokalstemmene, basslinjen og angitt rytmisk figurasjon for resten av orkesteret. Essay about Analysis of Beethoven Symphony 3 and Mozart Symphony 40 3307 Words | 14 Pages. 35 in D "Haffner" Let me try to get this straight - this symphony got its nickname, “Haffner”, on account of a serenade written in 1782 to celebrate … A contemporary review, almost certainly of the Paris symphony, remarked, "the composer obtained the commendation of lovers of the kind of music that interests the mind without touching the heart." ...I. A detailed guide that analyzes the structural, harmonic and thematic frame. Mozart adhered to the prevalent Parisian style, featuring timbals, trumpets and – a first for Mozart – clarinets, but did not include a minuet. I write melodies and am co-founder of AUSTRALIAN & ASIAN ORCHESTRA in Melb. 40 is in sonata form, so it has three sections: exposition, development and recapitulation.. Exposition. No matter. ” Another critic said it was “nothing but joy and animation” ( Kramer 480 ) . In addition to performing and teaching, Timothy Judd is the author of the popular classical music appreciation blog, The Listeners’ Club…. A detailed guide that analyzes the structural, harmonic and thematic frame. Following the death of his mother, Anna Maria, he returned to Salzburg a year later in 1779. '. An early analyst and critic of Mozart's music, Otto Jahn called the Symphony No. The work comprises the usual four movements, but what is slightly unusual is that Mozart uses sonata form to structure the first, second and fourth movements. 3 and Mozart Symphony 40 Forms Sonata form is one of the more popular forms of music that is found in a variety of different works … Mozart’s Parisian job search was ultimately unsuccessful. Stravinsky Meets Tchaikovsky: Reimagining “The Sleeping Beauty”, Tchaikovsky’s Serenade for Strings: Music from the Heart, “The Fairy’s Kiss”: Stravinsky’s Musical Homage to Tchaikovsky, “Resonet in Laudibus”: Music of Lassus, Praetorius, and the Moosburg Gradual, Tchaikovsky's Serenade for Strings: Music from the Heart, Arvo Pärt’s “Pari intervallo”: Geometry Unfolding in Time, Symphonie Fantastique: Berlioz's Musical Hallucination, Stravinsky's Symphony in Three Movements: Rhythmic Delirium. Symphony No.31 in D major, K.297/300a 'Paris' Symphony No.32 in G major, K.318; Symphony No.33 in B-flat major, K.319; Symphony No.34 in C major, K.338; Symphony No.35 in D major, K.385 'Haffner' Symphony No.36 in C major, K.425 'Linz' Symphony No.37 in G major, K.444/425a (M. Haydn, intro. The composer obtained the commendation of lovers of the kind of music that interests the mind without touching the heart. Years earlier, as a child harpsichord prodigy, he had created a sensation in the French capital. The last movement could on its own have… 40 in G Minor. Work Analysis. 41 in C major (‘Jupiter’) Instrumentation Strings, flute, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani Movements I: Allegro vivace (C) II: Andante cantabile (F) III: Menuetto (C) IV: Molto Allegro (C) Overview Mozart’s last, longest and most famous symphony. A performance of his Sinfonia Concertante has been - he claimed - sabotaged by an Italian composer, Giuseppe Cambini, and so to make amends, the director of the public concerts series Concert Spirituel, Joseph Legros, asks Mozart to write a new symphony. But I knew when I wrote it what sort of an effect it would make, and so I introduced it again at the end, with the result that it was encored." Mozart: Piano Sonata No.9 in D major, K.311 Analysis. He wrote the ‘Paris Symphony’ to open the public concert series Concert Spirituel in Paris and Symphony No.31 in D Major, K.297 "Paris": I. Allegro assai By Wolfgang Amadeus Mozart Pro Musica Symphony Orchestra , Joseph Kreutzer 1 Here's Mozart again: "They liked the Andante, too, but most of all the final Allegro. I was so happy that as soon as the symphony was over I went off to the Palais Royal and had a large ice, said the rosary, as I'd vowed to do, and then went home." Now I live in Melb. 40, the whole orchestra loudly interrupts the gently curving first theme played by the violins, just in case the audience was getting sleepy. Det er ikke kjent at dette verket ble spilt i Mozarts levetid. There's debate about exactly which passage Mozart means – Nikolaus Harnoncourt reckons it could be the beautifully scored few bars here, with a pizzicato bass line underpinning a subtly changing harmony in the strings and sustaining chords in the woodwinds, Mozart scholar Stanley Sadie thought it could be this place, from a little later in the movement, with its chromatic lyricism; I reckon it could have been this forcibly impressive music, which rejoices in all the glorious noise Mozart can make from his luxurious orchestral forces. But all that being said, Mozart, in a number of late symphonies, achieved heights that Haydn could not quite match and even Beethoven could rarely equal. [2] That sort of thing would become a critical commonplace in contemporary accounts of Mozart's music - that it simply contained too many ideas, too much variety, too much content. Let's dive into an analysis of Mozart's symphony n.40 K550, its structure, and phrasing, the "G minor key" aspect, and, of course, some technical tips. He revelled in the fact that he could use clarinets for the first time in a symphony, having heard the new instrument for the first time in Mannheim, where he had toured before coming to Paris; there are horns, trumpets, and timpani, and a full compliment of woodwind – flutes, oboes, clarinets, and bassoons, the biggest orchestra Mozart had used in a symphonic context. Bing an supporter of the music of Wolfgang Amadeus Mozart. Rondo Just click on the envelope icon on the right side of the top menu bar. Mozart comments on the same gesture he used in his Paris Symphony (1778): “What a fuss the oxen here make of this trick! 35 in D "Haffner" Let me try to get this straight - this symphony got its nickname, “Haffner”, on account of a serenade written in 1782 to celebrate … Mozart’s Symphony No. ... Timothy Judd has been a member of the Richmond Symphony violin section since 2001. The first movement of Symphony No. The 40th Symphony was completed on 25 July 1788. It was the second symphony Mozart composed after returning to Salzburg from his lengthy, fateful trip to Mannheim and Paris.. Among these is the Symphony No. I'd heard that all final Allegros, like all opening Allegros begin here with all the instruments playing together, generally in unison [another blessed coup d'archet, in other words], and so I began mine with just the 2 violin, piano for the first eight bars – immediately followed by a forte; the audience (as I expected) said 'Shh!' Here is a performance featuring period instruments with the Mozart Akademie Amsterdam conducted by Jaap Ter Linden: A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. Allegro Con Spirito 2. According to the date inscribed on Mozart's manuscript of the Symphony No. 40 i G-moll (K. 550), i løpet av noen få uker i 1788. In 1971 bewerkte de Argentijnse componist en arrangeur en orkestleider Waldo de los Ríos het eerste gedeelte en haalde daarmee met zijn Manuel de Falla Orchestra de hitparades van diverse landen. © 2021 The Listeners' Club. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. The 2nd movement is generally a slow movement while the 3rd movement is a dance. Mozart: Symphony No. Symphony No. 32; Symphony No. Legros was very pleased by this Mozart symphony, however, he asked the composer to change the second movement as he deemed it too complicated for the audience. He wrote the ‘Paris Symphony’ to open the public concert series Concert Spirituel in Paris and 1788 W. A. Mozart Symphony No. 39 in E-flat Major (K. 543) illuminates the composer’s voice during the peak of Viennese Classicism. Notify me of follow-up comments by email. On September 11th, 1778 he wrote to his father “our taste in Germany is for length, but really it is better to be short and sweet.” It is true that the Parisians preferred no ‘repeats’ and thus this symphony is the first sonata-form work before Beethoven with no long repeats. Mozart's choice of key for the Haffner Symphony is interesting, according to Cuyler, because "the key of D major, which was so felicitous for the winds, served Mozart more often than any other key, even C, for his symphonies," including the Paris (No. Mozart went so far as to repeat a passage in the first movement that he thought would be popular with the audience. In Paris, he ran up against the same mediocrity and petty politics we all encounter. 1788 W. A. Mozart Symphony No. An analysis of Wolfgang Amadeus Mozart’s Symphony No. But I hope that even these idiots will find something in it to like; and I’ve taken care not to overlook the premier coup d’archet [the loud, tutti opening developed by Lully which was popular with Parisian audiences at the time]…What a fuss these boors make of this! Redlands Symphony proudly presents MOZART's Symphony No. 40 “a symphonic music of hurting and plaint. The Andante exists in two versions, after Legros complained that the first one had too many ideas in it, so Mozart wrote another for when the symphony was repeated on 15 August. 31 ‘Paris’ Wolfgang Amadeus Mozart composed his Symphony No. Mozart had skillfully managed to win over the idiots and the savants of his Parisian audience, and written his grandest work of instrumental music so far. I too am very pleased with it. Now, the mature Mozart’s music went over the heads of most French nobility. Mozart was now finally salaried as joint concertmaster (with Michael Haydn, brother of the more famous Joseph) at the Salzburg court, for which he composed a number of sacred works in addition to two large-scale occasional serenades (one of which, K. 204 in D, was later reduced to four movements to serve as a symphony). 33 in B flat major, K. 319, the works was completed on July 9, 1779, in Salzburg. The Sturm und Drang (Storm and Stress) movement in music featured dramatic emotional extremes often represented by minor keys as in this symphony, and by dramatic and sudden changes in tempo, dynamics, expressive music elements, and with effects such as the use of tremolo. Moderato Cantabile Molto Espressivo 2. Symphony is basically a sonata for an orchestra with generally 4 movements. 40 Wolfgang Amadeus Mozart composed an exemplary piece of classical music that can be seen in television and films of the twenty-first century. Movements Symphony - Symphony - Mozart: Wolfgang Amadeus Mozart raised the symphony to heights that in many respects remain unsurpassed. Of his 50-odd symphonies, produced between 1764 and 1788, the earliest ones are conventional but precocious, reflecting influences of Johann Christian Bach, Giovanni Battista Sammartini, and Joseph Haydn. An early analyst and critic of Mozart’s music. Mozart’s Symphony No. The paper has to be quite lengthy, 4-5 pages. 31 "Paris"; Symphony No. Following the death of his mother, Anna Maria, he returned to Salzburg a year later in 1779. While Mozart was “playing to the crowd,” perhaps even poking fun at popular elements like the first movement’s opening Mannheim Rocket tutti, higher powers were playing through him. Adagio Ma Non Troppo 4. Analysis of Mozart’s Symphony No. Mozart - Symphony No. 31 in D major, K. 297. Contrary to the premise of this recent New York Times article, we don’t hear Mozart’s life experiences or his emotions in the music. Bing an supporter of the music of Wolfgang Amadeus Mozart. 40: movement 1. 31 in D, K.297 'Paris' (1990 Remastered Version): III. De officiële titel was Mozart Symphony No. The third movement is the usual minuet and trio. In 1778, at the age of 22, Mozart traveled to Paris with his ill mother in hopes of landing a job at the court of Versailles. This field is for validation purposes and should be left unchanged. … What a fuss these boors make of this! lekker winkelen zonder zorgen. The “Paris” Symphony took advantage of the large orchestra Mozart had at his disposal (this was his first symphony to use clarinets). Mozart: Symphony No. And indeed, the opening movement of the Paris symphony is one of the grandest, most thrilling sounds Mozart ever made from an orchestra. Another critic said it was "nothing but joy and animation" (Kramer 480). 34; Symphony No. By Wolfgang Amadeus Mozart Daniel Barenboim & English Chamber Orchestra. He created pieces that had simple melodies, but also the orchestration sounded rich. 31 in D major, K. 297. The Allegro moderato is, indeed, moderate—the balanced melody of the first theme is backed by clear, exposed part writing rather than the energetic rhythms of other galant accompaniments. 38, nicknamed the "Prague" symphony as it was first performed there in … what is your personal email address? Tuileries Palace in Paris where Mozart’s 31st Symphony was performed in 1778. Father Leopold isn't with his son this time, having stayed at home in Salzburg to appease their employer, Count Colloredo. In the bridge passage of Mozart's Symphony No. He wrote to Leopold, "In the middle of the opening Allegro there was a passage that I knew people would like; the whole audience was carried away by it, and there was tremendous applause. Mozart fullførte egenhendig de to første satsene. It's a joke.". Waldo de los Ríos. The 1st and 4th movements generally follow the same format: A-B-C-A-B (sometimes with coda/s inbetween). 40 in G Minor, K. 550 is a sheet of music that composed by Wolfgang Amadeus Mozart, and there’s two versions that was separated composed by 1788 and 1780. Save my name, email, and website in this browser for the next time I comment. This great symphony is written in the key of G minor and the melancholy feel of this key pervades the first movement, although other movements are lighter in mood. A detailed guide that analyzes the structural, harmonic and thematic frame. On September 11th, 1778 he wrote to his father “our taste in Germany is for length, but really it is better to be short and sweet.” It is true that the Parisians preferred no ‘repeats’ and thus this symphony is the first sonata-form work before Beethoven with no long repeats. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The Symphony No. The awe-inspiring counterpoint in Mozart's final symphony, explained in one video 8 August 2016, 11:59 | Updated: 8 August 2016, 12:12 This very clear musical analysis of the finale from Mozart's Jupiter symphony reveals every ounce of the great composer's contrapuntal genius. Listen to the layers of rhythm which explode with childlike enthusiasm in the inner voices at 2:58. 40: movement 1. In the bridge passage of Mozart's Symphony No. More audience intervention as part of the symphony's power, and even, its composition: Mozart says he "expected" the audience to say "Shh!". Discover little-known secrets and interesting discorse on its history, creation, and performance. The finale proves the point most of all. Rushing scales and lively dynamic changes give this symphony a playful character. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program. The composition occupied an exceptionally productive period of just a few weeks in 1788, during which time he also completed the 39th and 41st symphonies (26 June and 10 August, respectively). In the first performance on 18 June (after a dress rehearsal that appalled Mozart with the (s)crappiness of the orchestra - "I've never heard worse playing in my life!" But I hope that even these idiots will find something in it to like; and I've taken care not to overlook the premier coup d'archet [A fancy term that simply means all the instruments playing together at the start of a symphony, one of the contemporary fashions of the Concert Spirituel.] As they do elsewhere Waldo de los Ríos esteem and best wishes P What is personal! 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